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Then we meet “the tribe,” leaping, undulating, and exalting with a cornucopia of colors, patterns, and skin on display. ” as a British tourist gleefully exclaims, are searching and yearning for peace, love, and connection under the grim-reaper threat of the Vietnam War draft. With actors running through the theatre, this production preserves the audience interaction of the original. If you’re near an aisle, be prepared to be offered an invitation to the upcoming “be-in”, showered in flower petals, or handed a stripped-off article of clothing. A “time-capsule” artwork, as director Matthew Gardiner describes it, in its debut, “HAIR” was as of-the-moment as Broadway gets, set only a year before its premiere and contemporary with the movement it depicts.
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In today’s production, antique press reels roll before the curtain rises, history lessons for audience members missing memories of that time more than 50 years ago. Clean-cut young men in pressed uniforms hike, crawl, and stand at attention in bootcamp training montages that promise “The Marine Corps Build Men,” all before the lights dim. She believes in creating a custom look for each client, rather than just following the trends.
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Kacey is a gifted teacher and has trained some of the most successful current extension specialists in the business. She is most inspired by the strong, “girls’ girls” clients she attracts – including Kate Hudson, Goldie Hawn, and Leann Rimes – and the lives they lead. London native Amanda George learned to focus her creativity at an early age. As a youth, she was influenced the time spent on film sets with her father and making perfumes with her grandmother.
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Emily launched her career as a color assistant to Lorri Goddard in 1997 at the original Jonathan Salon. Fueled by the freedom that color offers to express her creativity, she opts to accentuate soft, natural dimensions with her style of classic balayage. Cody started coloring and experimenting with hair at a very young age in his home state of Utah.
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COLORISTS
Search results are sorted by a combination of factors to give you a set of choices in response to your search criteria. “Preferred” listings, or those with featured website buttons, indicate YP advertisers who directly provide information about their businesses to help consumers make more informed buying decisions. YP advertisers receive higher placement in the default ordering of search results and may appear in sponsored listings on the top, side, or bottom of the search results page. The way golden summer highlights grow out in the winter creating a graduation of color and tone inspires the natural-looking color techniques he applies. He prides himself on his expertise with brunette and auburn tones, training alongside some of the best in the business before joining the Roil team as a hair colorist.
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In a production delayed years by the pandemic, a psychedelic design underpins a politically-pointed adaptation of the groundbreaking, 1968 rock musical. Adrian discovered the magic behind the salon chair at an early age while accompanying his mother to salon appointments. His passion later brought him to Beverly Hills where he trained under top colorists, helping him master his technique that produces soft and striking hair color.
Photos: Signature Theatre's Hair
Amanda George, founder of ROIL Salon and the co-founder of ROIL products, is an acclaimed celebrity hair colorist whose techniques have been behind some of the most iconic names and looks in fashion. Amanda moved to Los Angeles in the late 90s, where her signature technique and approach made her one of the best-kept secrets in hair. From Charlize Theron and Victoria Beckham to Tracee Ellis Ross and various rock stars and fashion models, Amanda has graced the heads of many and her style is synonymous with natural color. A British native trained in London she opened her own namesake salon in Beverly Hills in 2005 and in 2010 she co-created her first indie brand, Neil George Hair Care.
Theatre Review: ‘HAIR’ at Signature Theatre
Claude (Jordan Dobson), a young man at a crossroads when his draft notice arrives, offers a common thread and grounding touch, while his friend Berger (Mason Reeves) brings comedic relief. “Hair” has always featured a racially integrated cast, but the core trio of Claude, Berger, and Sheila (Olivia Puckett) have typically been played by white actors—not so in this production. Furthermore, unlike the 1979 film, much of the near twenty-person cast, including Dobson, Reeves, and Puckett, are convincingly young in their performances, sharpening the Russian roulette tension. YP - The Real Yellow PagesSM - helps you find the right local businesses to meet your specific needs.
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Video: Watch Highlights From Signature's Hair, Starring Jordan Dobson, Olivia Puckett, Mason Reeves, Amanda Lee ... - Playbill
Video: Watch Highlights From Signature's Hair, Starring Jordan Dobson, Olivia Puckett, Mason Reeves, Amanda Lee ....
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With a keen eye for color corrections and makeovers wether it’s for celebrities, film and TV, photography, social media influencers, or everyday clients, Erick’s approach is time efficient and precise. Brittany Filipiak moved to California from Wisconsin and joined Amanda George as her color assistant at her Neil George Salon where she was surrounded by the biggest names in color today. Her technique and style is a blend of natural to dramatic and daring, her experience makes her range of color extraordinary; she is known for creating natural blondes and seamless brunettes blended to perfection. This Southern California native is a firm believer in the fact that nature creates the most beautiful ombres – colors or tones that shade into each other.
He strategically places highlights that help frame and accentuate each client’s individual features. Drew Danvers is known for creating subtle yet natural color for every shade. A native to California’s sunny beaches and days, he is a master with all color types, having trained under Stephen Garrison and through working with several leading figures in the industry. His passion for hair goes beyond the chair as he creates color that is easy-breezy yet smooth, glossy and graceful all at the same time. Chelsea Pace is Signature's resident intimacy consultant and choreographer, and Casey Kaleba is fight director.
Kerry Epstein is production stage manager with Julia Singer as assistant stage manager. Danielle is a Southern California native, who grew up spending her time between the busy city and the relaxed atmosphere of the beach. Being surrounded by the trendy styles of the city, but frequently escaping to the beach, where the lifestyle is all about an effortless and natural beauty, she wanted to fuse both lifestyles together. As a concept musical, the plot of “Hair” is loosely stitched among its abundance of famous songs. The dramas of free and first love bubble in complicated webs that defy simple geometries.
The show-stoppers—“I’ve Got Life,” “Aquarius,” “Hair,” “Easy to Be Hard,” and more—soar in Signature’s intimate staging. Dobson sings with a splendid warmth and ease, bringing fresh depth to each of Claude’s solos, particularly the Act 1 finale, “Where Do I Go? ” Exuberant choreography by Ashleigh King takes advantage of the large cast, filling the stage with movement, leaping and rollicking in one moment, then hypnotic and smooth the next. Signature’s stage lets the sunshine in, thanks to the contributions of Paige Hathaway’s scenic design, Jason Lyons’s lighting design, and Patrick W. Lord’s video design. A central, mosaic plate becomes a screen for projections, while radiating beams dance with color.
With lyrics like “Gliddy glub gloopy / Nibby nabby noopy,” a few missed words is little impediment. Hathaway’s eclectic set, beyond its celestial motif, is sprinkled with knickknacks to be selectively spotlighted throughout the show. In “Dead End,” a number cut from the original Broadway production, official signs for racial segregated spaces illuminate, along with a “Dead End” street sign. Perhaps unsubtle, but should any audience members choose to join the tribe in seeking mind-altering euphoria, these clues ensure no misunderstanding.
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